Siva Samoa / Poly Swag

The artwork at the core of this project found its genesis in 2012 when I was invited alongside artists Penitoa Finau, Mau Muaiava, and Fofoga Setoga-Tuala to be a part of ‘Bounty Bars and Coconut Roughs’. This was a group show curated by Marilyn Kohlase at Reef Gallery in Tamaki Makaurau (Auckland) to celebrate 50 years of Samoan independence and as part of the annual Auckland Festival of Photography. The exhibition was a chance for another generation of diasporic Moana artists to provide a lens on their communities and give voice to a different perspective on the Pasifika community in Tamaki Makaurau.

This artwork was the first that focussed on a narrative framed by my family and more importantly it was anchored by our mother, Ruta Sagapolutele, and our sister, Ufitia Sagapolutele, our aiga’s (family) dancers and performers in every sense of the word. In presenting our family, the work is layered in the generational differences of our sister and mother and offered up their voices as movement artists drawing on two distinct artforms – Siva Samoa and Hip-Hop. A snapshot of time, a 2012 take on where they were that have an impact on my practice through the narrative approach that was centered on our lived experiences.

Beyond the original exhibition, they would find life again in 2018 when an email from Christina Jeffrey who was the director of Tautai at the time put me in touch with Dr. Eva Raabe and Alice Pawlik of the Weltkulturen Museum in Frankfurt Germany. This would be the introduction to a project that would see the work that embodied our mum and sister find itself halfway around the world and part of an international exhibition titled ‘Grey is the New Pink – Moments of Ageing’.